Fast-rising Kenyan Amapiano sensation Cartoon 47 has spoken out to dismiss swirling rumors of a personal feud with fellow artist Willy Paul, insisting their connection was purely musical.
In an exclusive interview on Radio 47, Cartoon 47 firmly refuted claims that the two shared a female music manager or had a falling out, emphasizing that their relationship was limited to a collaborative studio session.
“The only thing we had together was a studio session and a producer,” he stated.
He described the joint session as a productive and respectful exchange of ideas, praising the creativity and professionalism that defined the experience.
“It was inspiring. There was mutual respect and passion for music,” he added, brushing off any speculation of personal conflict.
Addressing the gossip that has shadowed their collaboration, the singer urged fans and critics alike to focus on the growth and evolution of Kenyan music rather than unfounded rumors.
Shifting the conversation to his own career milestones, Cartoon 47 expressed pride in his recent achievements. He pointed to increased local and international recognition, noting that his music now enjoys airplay on major national television stations.
“My music is played on national TV stations. That makes me a global artist,” he said confidently.
Known for pioneering the Amapiano sound within the Kenyan context, Cartoon 47 acknowledged that his rise has not been without hurdles. He recalled facing resistance from some up-and-coming artists who were wary of their content being used on platforms like TikTok.
Despite the obstacles, he credited strangers and unlikely supporters with helping him stay on course.
“I was supported by strangers when I had nothing to offer,” he reflected. “They connected me to the people I thought I needed the most. Respect everyone, although maintain some boundaries.”
Currently, Cartoon 47 is enjoying the success of his latest release, ‘Nini,’ featuring Mr. Seed, a track that has been gaining momentum on YouTube and cementing his status in the Amapiano genre—still a relatively new sound in the Kenyan music scene.
